The Disney adaptation of Beauty and the Beast, which is based on the French version, written in 1740 when France’s Renaissance honoring the old gods was in full bloom, is the same as stories found in all corners of the world such as the Latin Cupid and Psych written in the 2nd century AD, the Indian Panchatantra known to have existed in oral form well before it appeared in print in 500 AD, the Chinese tale of The Fairy Serpent and the Italian tale Zelinda and the Monster, in all going back over 4,000 years, making it 1,000 years older than Homer.
The relatively new French version was published in “The Young American and Stories from the Sea”, acknowledging the latest rise of the ancient empire in France’s allied state, the young American Republic. When we strip away the elegant French dressing and ethnic varietals to the bare biblical perspective we recognize that:
- the sea is the spirit domain beyond the firmament, home of the gods,
- the Beast is a hybrid heir of an imprisoned fallen angel,
- Belle / beautiful / “fair[y] / spirit” is likewise the hybrid offspring of an absent “fairy” mother,
- the updated version of the Sumerian goddess Inanna,
- during the heyday of rehybridization after Noah’s flood in the 2000’s BC.
In-anna / Queen [of] Heaven is one of the most powerful and complex deities in a culture in which female goddesses were equally worshipped and integrated into daily life with male gods. Her defining attributes of love, fertility, and war, when filtered through the biblical lens, are recognized as sex, hybrids and the battle to destroy mankind.
Archeological artifacts of Inanna’s cult have been found in the pre-flood city of Uruk dating to the earliest era of the hybridization of fallen angels with human women. This defines the original Inanna as purely human, therefore her name an honorary title like “Melchizedek” rather than the identifier of a single individual.
Every woman who conceived a child from a god and birthed a demigod was contributing to the “kingdom of heaven on earth” and therefore honored exactly as “Mary’s queenship is rooted in Tradition in her being the Mother of God, as Pope Pius XII reaffirmed.” For details see the relevant post.
During this period, her symbol was a ring-headed doorpost, making one shudder at all that implies.
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The Rudyard Kipling movie The Man Who Would Be King confirms this suspicion.
A rogue soldier seeking his fortune in the remote Himalayans finds success when his alien accoutrements convince the locals that he is a god. This becomes his undoing when he forces himself upon a beautiful young maiden who, unlike this ignorant Westerner, knows the ancient lore that union with a god causes the death of the human woman. Drawing blood with her nails unmasks him as human, and he is executed.
Inanna’s circumstances change markedly after the flood, as depicted on the Uruk Vase. A row of naked men are bearing valuable items such as farm products, sheep and goats to a male signified as the high priest of the temple, clearly in payment for the sexual services of a female figure identified by her symbol as Inanna.
Many other cities, including Ur, Larsa, Zabalam, Urum, Arina also engaged in her cult during this early post-flood era, the Early Dynastic period. It was in this post-flood era that Inanna becomes, not simply equal with the male gods, but even more powerful.
In the pre-flood era the spirit gods, who are actually sex neutral, had the e=mc2 power to convert their energy to mass in any form, including genes, chromosomes, sperm and male bodies of humans and animals, in order to inseminate human women.
What they did not have, and why they needed human females, was the ability to convert mass to energy for conception and embryonic to fetal to infant development in a uterus. Only human women have this amazing power.
But Inanna still needed the angelic genes. Just the genes, not the fallen angels to directly contribute them, since the angelic genes were preserved in the current human gene pool, carried through the flood mixed in with human DNA.
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Like a jigsaw puzzle, the matching pieces just needed to put together. And the most efficient way to do that was through pairing close relatives who shared as many as possible of the same genes.
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The practice of incest is spelled out in The Courtship of Inanna and Dumuzi/ Tammuz, famed as the son of Inanna through whom she remained in power as Queen Regent when her husband the king died.
The Sun God, Sumerian Utu / Greek Apollo – imprisoned for hybridizing,
- so here in the form of the spirit and genetics of his pre-flood hybrid son Mari-utu / Marduk, incorporated now as a third generation or so hybrid,
- spoke to his younger [also hybrid] sister, the goddess Inanna,
“He who was conceived on the sacred marriage throne [i.e. our son] will go to bed with you. You are meant to be the king’s [indwelling spirit, tracked back to Apollo] protector [by reproducing a regal lineage / sequence of mortal bodies for the indwelling of the same immortal spirit received from Apollo].”
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Assyriologists Jeremy Black and Anthony Green describe the early history of Dumuzid’s cult as “complex and bewildering”. This is because Tammuz / Dumuzi),meaning Son Of Life, keeps on popping up in other cities as another king like Whack A Mole even after his human form has been, to use a mobster phrase, whacked.
The worship of Tammuz was picked up the fashionable women in Israel. “the spirit lifted me up…and brought me in the visions of God to Jerusalem…Then he brought me to the door of the gate of the LORD‘s house…and, behold, there sat women weeping for Tammuz. (Ezekiel 8)
Massive amounts of emotional energy were transferred to the god in his worshippers outpouring of grief, but even greater transfer of energy was provided through his pornographically arousing public display of sexual intercourse between the most seductive members of society – oh, yeah, exactly like the media stars [get it?] of our time – in the form of re-enacting the marriage rites of Inanna and Dumuzi.
The greatest transfer of energy was provided through her numerous temples and shrines found throughout Mesopotamia, where coupling with sacred prostitutes of both genders was the central part of the religious ritual. Herodotus reports that every woman, at least once in her lifetime, had to sit outside the temple of Ishtar (Inanna) and agree to have sex with whatever stranger chose her.
Sumerian kings representing Dumuzi publicly re-enacted the sacred [not moral just spirit-being] aspect of sexual union with Inanna represented by the high priestess every year, as does the Japanese emperor at the beginning of his reign to our own day. As does all day, every day, sexually explicit enactments on media by film “stars”.
Inanna also resurfaces in the future referenced in Revelation 18:7 regarding the queen of Babylon who defies convention with “I sit a queen, and am no widow!” because she perpetuates the incarnation of the son of Satan, the Antichrist, her husband through her son.
I can’t help thinking that the revelation of highly placed world politicians being involved in Epstein’s pedophilia ring is building towards this phase of shockingly immoral behavior being re-introduced for demonic reasons.
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Kingdom Come 